Explicit Ills (+ digital copy)

Is it over yet?!
From the first impressions that I derived from the trailer I was anxious to see what I thought would be a very moving story of reality and poverty right here in America. Sadly, this was a poorly written attempt to convey such reality to others. It simply was.., all over the place with absolutely no continuity of story. Aside from a good cast, I could hardly wait for this one to be over!

Quietly powerful urban drama
Crumbling, hollowed-out buildings, trash-strewn alleyways and weed-infested empty lots provide the backdrop for "Explicit Ills," a low-keyed, understated account of a group of largely unrelated people struggling to make a go of things amidst poverty and urban decay in Philadelphia. Yet, despite the grimness of the setting, the movie offers a basis for renewal and hope through a cast of characters who don`t exactly fit into the stereotypical slum-drama mold - and in the film's commitment to social justice through unity and action.

In terms of form, Mark Webber's film is more a series of vignettes than a conventionally structured narrative, an approach that actually works quite well given the slightly amateurish, rough-around-the-edges nature of the piece. Yet, despite limited financial resources, Webber has fashioned a stylish, sometimes even quite visionary work that clearly cares about its characters and the community to which they belong.

Those characters...

Important topic, edgy filmmaking, subpar Blu
Before anyone gets too upset, the star rating reflects the product rating, not necessarily the content or film making quality. This is a passion piece with poverty activism as its theme, and understandably the director wants to get his message out there, but the Blu package was not utilized in the slightest.

The story follows twelve people in the heart of Philadelphia living out their lives, good and bad, over the events of one summer (2007). Each story gets an introduction (some longer than others) of what to expect, with the last character being introduced at the 37 minute mark. The Crash-esque style editing mixes urban music, painting art reflecting the characters, an assortment of individual camera work in each story (camera pulls, hand held pans, steady-cams) and slightly interlaced stories. This movie deviates from all of the stories having any connection except for the activism march at the end, so do not expect things to come together otherwise.

I did not...

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